Vagrant Journalism

Published pieces from the past, the present and of the potential future.

Posts Tagged ‘trois couleurs bleu’

19 November 2008: Film Notes – Trois Couleurs Bleu

Posted by Christina on March 23, 2009

trois-couleurs-bleuThe ‘Trois Couleurs’ series was one of my favorite parts of this class. Juliette Binoche is absolutely amazing in this film and the whole aspect of the triad of films was so brilliant as well. This is another selection from film notes and again, answers a question concerning the film

Film Notes: What is the function of the score in Three Colors: Blue?

Trois Couleurs: Bleu (Three Colors: Blue), Krzysztof Kieślowski, 1993

While it is evident that Julie is trying to disassociate herself from her former life, liberate herself from an identity of the past and repress memories from a previous existence, it is the with the reoccurrence of the music that Julie is somewhat forced to remember her past. The haunting phrases from the score are what remain in Julie’s life even while she is so desperately trying to rid herself of her past. When she rents the apartment Julie takes on her maiden name, she destroys the music notation associated with her husband and the life-status she had with him and she rids herself of everything material that would be responsible for serving as any memento save the blue jewel-beaded mobile. Regardless of these actions seeming like brash, thoughtless actions of anxiety and depression after the devastating accident, it is with a firm conviction of wanting so desperately to start her life anew that Julie rids herself of all these memories. Yet try as she might, her disposing of objects that might serve as materialistic nostalgia-inducers resurrect during moments she least expects it and in the form of the music that she tries to consider a part of her past life.

Interestingly, when she hears the music, the screen blacks out for several seconds and the orchestral sounds overpower the audience’s senses. This is perhaps done to show what might be going on in Julie’s head. It could be her blacking out because a particularly haunting phrase of music is persistently trying to reinsert itself into her life when she least expects it. While it seems that Julie has effectively rid herself of her past, it is the music that plays an important role in bringing her back in touch with portions of her life she tried to cut herself off from. Like several of the senses that invoke memory-how smelling a particular perfume could bring about thoughts of childhood-music works with the sense of hearing to procure memories one might have long since forgotten or tried to repress. This happens when she hears the flute player on the street as well as in her own psyche as the music that was such an integral part of her very existence seems to literally take her by surprise and knock her off her consciousness for a moment.

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